"Yuasa Eboshi and Postwar Avant-Garde Metamorphosis Fables" (Nerima Art Museum) Report: Exploring the Ambiguity of "Transformation" through "Fake" and "Real" Avant-Garde Paintings
Summary
The exhibition "Yuasa Eboshi and Postwar Avant-Garde Metamorphosis Fables" is on view at Nerima Art Museum in Nakamurabashi, Tokyo, until December 27. Curated by the museum's curator Kinoshita Sayako, it uses "transformation" as a keyword to display about 100 works, including new paintings by contemporary artist Yuasa Eboshi and major works by postwar avant-garde painters Ikeda Tatsuo, Takayama Ryosaku, and Nakamura Hiro. Yuasa, born in 1983 in Chiba, creates paintings under the persona of "Yuasa Eboshi, a fictional third-rate painter born in the Taisho era," and calls himself "Mimicry School." Kinoshita explains that Yuasa's works are fascinating as paintings, with heterogeneous motifs including old popular culture and kitsch elements assembled with tension. She also notes that Eboshi is, in setting, a contemporary of Ikeda, Takayama, and Nakamura, all important artists in the museum's collection. By connecting the two, the exhibition explores the breadth and diversity of the "transformation" motif in postwar Japanese avant-garde art and aims to stimulate viewers' imagination about the past. Additionally, novelist Ogawa Satoshi, winner of the 2023 Naoki Prize, participates by writing poems as a fictional deceased poet who influenced "Eboshi," presented at the venue, adding new episodes to the life story of Eboshi that Yuasa has presented alongside his paintings.
(Source:Tokyo Art Beat)