In the Interlude and Transition: A Review of the "Diriyah Contemporary Art Biennale 2026" (Review by Yuko Hasegawa)
Summary
In this review of the "Diriyah Contemporary Art Biennale 2026," critic Yuko Hasegawa explores how artistic directors Noura Al-Rajhi and Sabeeh Ahmed re-conceptualized the world through the metaphor of a "Procession." The biennale adopted a "sonic curation" approach, prioritizing polyphonic resonance and relational connections. Hasegawa also analyzes the spatial design by Formafantasma, which successfully provided structural coherence and an accessible layout for the exhibition's diverse, performance-based movements.
(Source:Tokyo Art Beat)